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the-complete-works-of-william-shakespeare: 2 Text passages
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1. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» artistic bio-feedback are discernible in works such as «Breath» (1992), an early interactive installation by Ulrike Gabriel. The difference was that artists now confronted their inner life in the form of a large-scale visualized abstract fabric. The [more] |
2. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» auch: Lascaux» (1993), Christa Sommerer & Laurent Mignonneau's «A-Volve» (19931994) or Ulrike Gabriel's «Breath» (19921993); interaction as a dialogue model, [more] |